peter robinson

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What I’m Reading – Peter Robinson’s NO CURE FOR LOVE

9780062405104_91d26Peter Robinson’s Inspector Banks novels (22 in all!) have cemented his status as a master of mysteries and thrillers.  The upcoming release of his standalone No Cure for Love brings the fast-paced whirlwind of twists and turns that’s garnered him legions of fans but, for the first time, takes us on an America-set mystery.  And not just any America, but the topsy-turvy glitz, glamour, and grit of Hollywood.

The story follows rising star Sarah Broughton, a Brit still uncomfortable with the oddball culture of show business.  Sarah has a past that runs far deeper than the name she left in England, Sally Bolton.  Someone is sending her increasingly threatening letters…letters that know too much. When obsession turns to murder, Sarah must rely on Detective Arvo Hughes—a specialist in Hollywood stalkers—as the two discover just how hard it is to outrun the past and to keep a secret buried.

I took the opportunity to read No Cure for Love over the holiday weekend and was quickly absorbed. I’m not the only one—#1 New York Times bestselling author Michael Connelly provides a fantastic forward and some not-so-subtle praise: “Terrific…that rare book that entertains, enthralls, and also teaches. No Cure for Love has something to say about right now.” The egalley is available on Edelweiss, so be sure to check it out here.

-Chris

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The WSJ Picks Its Poison

Before poisonAnd it comes in the form of Peter Robinson's latest, Before the Poison:

“With this stand-alone novel, Mr. Robinson—best-known for his award-winning Inspector Banks mystery series—has fashioned a gripping tale that brings to mind not only old-time Hollywood but also British "golden age" storytelling in the Agatha Christie and Daphne du Maurier tradition.”

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FULL REVIEW: Old movies loom large on the mental landscape of Chris Lowndes, the chief narrator of Peter Robinson's ambitiously structured and captivating "Before the Poison" (Morrow, 358 pages, $25.99). British-born Lowndes lives in Los Angeles and composes film scores in the manner of such moody 1940s and '50s maestros as Bernard Herrmann and Franz Waxman, at least when his Hollywood bosses let him. But then, after the death of his wife, he moves back to England. He buys an old estate in a remote reach of Yorkshire and soon falls under the spell of the house's history. In short, he begins living a story redolent of the old movies he loves—romantic and suspenseful classics like "Vertigo," "Rebecca" and, yes, "Laura."

Entranced by a portrait of Grace Fox, the house's mistress from 60 years ago, Lowndes learns that this beautiful woman was hanged for the poisoning murder of her husband, a doctor. She is said to have killed him because he had discovered her affair with a young artist.

Lowndes, out of a compulsion he can't quite comprehend, begins exploring the dead woman's story. He interviews elderly locals and pores over old documents with the resourcefulness of a private detective. "You're certainly going to some lengths in this business," a potential new girlfriend, already jealous, observes. "Have you fallen in love with a ghost?"

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– Annie

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Librarian Review: Before the Poison Edition

Before poisonWe love getting librarian feedback on upcoming titles (duh!), so when Eleanor Bukowsky of Brooklyn Public Library showed us her Amazon review of Before the Poison, we were stoked. 

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Before the Poison, by Peter Robinson, begins in October 2010. British-born Chris Lowndes is an accomplished musician whose film scores have earned him a bit of fame, a sizeable nest egg, and even an Academy Award. He is a recent widower who is struggling to adjust to the death of his beloved wife, Laura. After living in California for thirty-five years, Lowndes purchases an isolated and rambling old mansion in Yorkshire, England, where he plans to regroup emotionally and write a sonata that will secure him recognition as a serious composer. Although he begins work on his new composition, Chris is quickly sidetracked by a deeply intriguing puzzle concerning Grace Fox, who lived with her husband and son in Kilnsgate House (Chris's new home), until her death in 1953 at age forty.

Grace was the sensitive and talented wife of a prominent and much older man. She volunteered to nurse wounded soldiers overseas during the Second World War, and was deeply traumatized by the horrible suffering and atrocities that she witnessed. Grace returned from the war transformed, no longer content to be a passive observer, and her subsequent actions would help determine her fate. Chris becomes obsessed with Grace, and he spares no expense in tracking down everyone who knew her. He has decided, for a variety of reasons (some of them personal), to set the record straight concerning this beautiful, courageous and, he believes, honorable woman.

What Peter Robinson has done is what all great mystery writers try to do–elevate a genre that is sometimes dismissed as light and insubstantial into an art form. Before the Poison is creatively structured: The author's decision to move back and forth between Grace's journal entries, passages from a book written almost sixty years earlier, and Chris's present life works superbly. Robinson's ingenious plot is breathtakingly suspenseful and the novel is enhanced by its richly developed cast of characters, evocative descriptive writing, and intense atmosphere. The author explores such thought-provoking themes as prejudice against women, the horrible consequences of war, and the injustices that tarnish even supposedly enlightened legal systems.

Robinson analyzes constructive and destructive relationships in all of their variations–between parents and children, lovers, extended family, friends, and acquaintances. In addition, the author draws on the twin motifs of film and music brilliantly, contrasting quiet scenes with passages of high drama, using foreshadowing to good effect, and wrapping up the proceedings with a stunning climax that few will see coming. Before the Poison deserves to be ranked among Peter Robinson's most satisfying and provocative works of fiction.

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Thank you for sharing, Eleanor!

– Annie

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